124 results where found for «Ana María Arenas»


Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Guillermo Orrego Valdebenito
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
[...]
« Metropolitana »
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Lucía

Music piece by:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Experience in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
[...]
« Metropolitana »
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Morning Has Broken

Music piece by:
Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
Testimony by:
Luis Cifuentes Seves
Experience in:
« At the time of the coup in 1973, this song was world-famous and frequently played on the radio. »
[...]
« Metropolitana »
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Alfonsina and the Sea (Alfonsina y el mar)

Music piece by:
Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
Testimony by:
Sergio Vesely
Experience in:
Villa Grimaldi, January 1975
« It was not easy to endure being locked up in one of Villa Grimaldi’s miserable cells, which resembled vertical coffins. It was even harder in the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
[...]
« Metropolitana »
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Beloved Friend (Amado amigo)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« The lyrics contain metaphors that might be difficult to understand today because they constitute a cryptic language that prisoners used to communicate with each other. Here are a few explanations: »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Music piece by:
Pablo Milanés
Testimony by:
Vilma Rojas Toledo
Experience in:
Cárcel de Coronel, 1986 - 1988
« I recall that during my time as a political prisoner, Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. »
[...]
« So we transcribed the song. That was difficult because we listened to the song on a small cassette. Then we analysed its words, phrase by phrase over a couple of days. We listened to it over and over again. »
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Coplas of El Yopo (Coplas de El Yopo)

Music piece by:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Experience in:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of ‘El Yopo’ (also ‘Chopo’), as is usual in popular culture. »
[...]
« Metropolitana »
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You Can Blame Me (Échame a mí la culpa)

Music piece by:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[...]
« Metropolitana »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
Gabriela Durand
« I was 18, and already I had been tortured on the parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »
[...]
« Metropolitana »
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Mid-Afternoon Love (Amor de media tarde)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song is dedicated to Graciela Navarro, who managed to make my prisoner's life more beautiful on the days we were allowed to receive visitors. »
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